Edge & Lita

Dylan D. Debelis

We all want that live sex raw wing tipped boots center of that raised ring. We all want that tattooed eagle braless clawing at our brain until blastoff.

You wanted to fly, you wanted to spear fish, you wanted manliness and the spider perched inside your jaw.

Prove it.

You wanted to prove it so much you threw your voice out moaning so the audience could hear it.

We all want that audience to hear us triumph, pin count, eruption of boos, chorus of dueling chants.

We all want that vindication, stomach inflation, penis pumped-up celebration.

You wanted to hold the high school first love nights like an invisible ink cipher.

And you also wanted them broadcast to your absent father, and the classmates who hated your gap tooth grin.

We want the moments back that get moments back that remind us that we are never going to get those moments back.

We all want that live sex showcase, wing tipped boots center of that raised ring raw.

A Brain Bruise, a Blue Blessing

Peter T. Donahue

I assign my students to write poems, play with language, and explain the effects they hoped to achieve. The sixteen-year-old girl who survived a subdural hematoma writes,

My head pounds like my brain
is going to brust out of my skull.

She says the effect she was going for was that “the more my friends think about it, the more I inspire them to live their lives to the fullest, and thats a great achievement.” But her spelling error puts me in mind of Chaucer’s abecedarium, “La Priere de Nostre Dame.” Under “B” he asks the Virgin to intercede—

er that my ship to-breste!

Or, before his ship is blown to bits. My own brain goes sea-faring, nudged offshore by a little accidental metathesis. Bless me: blesser is French for hurt; faire un bleu is bruise. Was her brain blest or brust? According to a linguist at Ohio State (on a webpage not updated since 2002), metatheses in North American English tend to occur around liquid consonants— “r” and “l.” We say, comfterble, nucular, Chipolte. We interduce ourselves to purty girls. But not since the middle ages have briddes flown in a beorht sky, have brands brent.

So there’s something medieval to me about that brust; the funnel-hatted deadpan charlatan from Bosch’s Stone Operation appears in a mirror. What am I doing, knife in hand, trying to trepan poetry from the skull of a girl who looked at death and lived?

Moratorium

Jefferson Navicky

“If you could do all that stuff and then be dead, I’d say do it.” I dreamed of writing the piece that started like this in the restive moments of waking this morning. It was funny and strange and about death, what would happen afterwards. I can’t remember it now, but I think I knew that would happen. It always does. But it was about this size, maybe a little bigger. If you can let yourself imagine, it was also quite a bit better than this one. I’d be grateful if you did that. Imagine it better. Please do.

The / remains of / the convict fence

Mark Young

He held up his hand.
The focus seemed to
have shifted. Insulin
traveled through the
blood, full of those vali-
dating sounds usually
associated with native
fish spawning. At a

point where the river
was shallow enough,
grooming patterns—an
off-color sexual aspect
of phonetic habits—
finally found shelter.

From

Jennifer Gravley

I am from bruised thigh, junk drawer, box of borax on the top shelf. I am from vowel hard to pronounce, disordered creek bottom, bloody heel. I am from set of three. I am from formula, jar of baby teeth, sharp-bearded fish. I am from February, from Saturday, from many specifications of the abstractions time and space. I am from hand of my mother, bone of my mother’s ear, mother of my mother’s mother. From a tome of like characters. From filth, from undesirable car parts, from trundled spoilage.

The Turnip

Judith Skillman

Once more you force
its fisted mass. Blanched white
with a feather of pink—
the bloodless promise?
Has the chemistry of want
exploded the dreamy cluck
of that heart in your chest?
Under the sky, the grave
of dawn’s planted again—
its beginning wed
to the same milky stone.

Coelacanth

Diana Smith Bolton

Before the lizard gods, I was shaped from blue clay, my eight fins pinched, scales combed, gills lifted like crescents. I trembled my fins, tested my mouth on coral and young clownfish, dove deep. Above, lands shifted and crashed, drawing lava from my ocean floor. The reptiles rose and fell. Things began to take to the … is it air? New primates grew greedy. I dove deeper, leaving the shallows to those who dared go out in tree shells.

The Seven Deadly Factors

Jaap Stijl

dedicated.

.

1     They don’t hate you. They’re hungry

2     Is it like sleeping?

3     The jig of the rain on the rooftop that you are missing.

4     the sling you cut

5     Tomorrow no longer exists.

6     The people who have to extract your crushed body from the roof of the car.

7     the technicolor of what you no longer can see.

Prudence

Wendy Taylor Carlisle

the beginning and the greatest good is prudence
        —Epicurius

Its 94 at noon on a heated desert morning after two weeks of boutique and backroom antics with their scaly echo of that first gill-to-lung-sac thing crawled up from a polluted creek, antics that could only result in unreasonable headaches, love’s alarm disarmed, and end where no amount of languor can mask the bad girl whine from the pineal gland that knows-it-all when the subject’s betrayal and no amount of wishing can take back the clack of chips from the business isopods turning out their Travelsmith pockets at security. This story is my traveler’s tell-all, starts in idiot default. Dopamine disease, not failure, causes risky behavior. What’s the difference you ask, between my life and the lives of others who also smell of a place where the mermaid gave up her tail on her journey from fish to goddess—only a lifetime learning to hesitate, a modest Epicurean eye, the necessary mediation that tempers a wild urge, the hand that gives off a slight organic hint of fountain, leaves behind a wide-awake woman with her slide & scale & glisten.

Soon

Tad Richards

Soon, all my stories
will be told backwards.
My ingénue will
find love in the first act.
Deflowered in the second,
by the third, she is writing
entries in her journal:
boys she identifies
with cryptic nicknames.

And I’ll learn too late
administrators
lie and deceive,
yet use this knowledge
for purposeful blackmail:
I’ve slept with their wives,
serially or in pairs,
winning their trust
with pears and figs.

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