Spring 2017 Season

No one asks who dropped the first shell,
when among the mangroves’ arched roots,
out of the heaps of oyster shells, fallen
and crushed to lime, the snags and shoals
of random tide-flung bits and silt-on-silt
accumulation, new land rises up.

We love the idea of the world as a sudden
paradise created whole on purpose for us
to lose by being human. Or the other idea
of the world as envisioned designed garden
toward which it studiously evolves.

Meanwhile, here on actual shell-by-shell-
by-mangrove created ground, the raccoon
philosopher turns her mind to pleasure,
to work—shucking oysters, digging clams,
combing her tail of fleas and burrs. All around

the rack and weave of mangrove, mudflats
marked with slicks and shallows, decomp
reverting and recombining. And overhead
the fish crow flies from bay to bayou,
the sun-silvered eel in its talons writhing
(what if it were?) in a sideways figure eight.

never trust a pitcher who refuses to hit his fair share, whether fair or foul, or else you’ll end up whispering your wedding vows to the outfield, cleaning up after the septic run-on sentence of your body—fainting spells, blood-caked toenails, rose-gold swellings jetting pus around the five-pointed star of your breast. different from the rest, he told you the story of how he became designated hitter in college, adopted a fake name you remember (perhaps wrongly) as tucker, and somehow mustered the guts to face each pitch stone-cold sober—swearing off the devil’s water, leafy greens and LS-dream fodder, not to mention children’s tylenol, atenalol, pain relievers one and all. that’s the kind of teetotaling ragdoll i would have let tattoo my forearm come fall, had the lager not robbed me of my faith in man and god. that’s the happy-go-lucky glad-hander who threw the first pitch in the dirt, so it wouldn’t hurt as much when its stitching ripped apart and left the earth

Tourists wade at the edge of the surf,
white swollen knees hover above the clay-
colored foam — blimps following a parade.

Sand pours out of bathing suits shucked
outside the backyard shower: bare flanks
breaded like chicken cutlets, waiting. Yellow
grains scratch the painted floorboards again.

Five borders, three languages: I’ve left
slate roofs and sausage rolls behind.
In the empty compartment, the bed

stretches out – whiter than home,
starched, almost the smell of bottled
clouds – shuddering at each unnamed
stop, squealing by the late-night sidings.
When magenta and chrome yellow
hang in the windows, fields
colored like cheap calendars taped
to a pre-school wall, I’ll step
into the train station and speak
its language like a toddler,
with a wallet and a full set of keys.